Or Javier Rodriguez(Benicio Del Toro) and Manolo Sanchez(Jacob Vargas), who are fighting an uphill battle in Mexico. Like Montel Gordon( Don Cheadle) and Ray Castro(Luis Guzman) who are tracking down Ayala in Los Angeles. You have the rich and influential drug lord Carlos Ayala( Steven Bauer) and his seemingly ditzy socialite wife Helena( Catherine Zeta Jones), who turns out to be quite a street smart cookie, when her world comes down, following her husband's arrest by DEA.Īnd then you have the footsoldiers at the lower end, the ones who actually get their hands dirty, tracking down the criminals, putting their lives on the line, spending most of their life, in run down cars, equally run down apartments, walking through dead beat neighborhoods. You have people like Robert Wakefield( Michael Douglas), the tough talking Conservative judge, who is asked to head the President's Office of National Drug Control Policy, and who looks at the mission with a messianic zeal, not knowing that his biggest enemy would be right at home. Combining an ability to keep us interested with the snappy, modern style which he has brought to the movies today - this film is a gripping account and a very comprehensive display of Soderbergh's impressive arsenal of film knowledge, understanding and talent.Among my favorite Steven Soderbergh movies, as he looks at the War on Drugs from differing perspectives and also the futility of it all. All in all, then, a great film, combining good acting, clever psychological undertones and classy direction, which particularly stands out. Michael Douglas proves again that he's a class act, as does Catherine Zeta-Jones and strength in depth is clear all round. The characters are all strong and well acted, I can't put my finger on a single bad performance, but Benicio Del Toro is by far the best on show and his Oscar was well deserved. This time the daddy is the newly-instated drugs officer (Michael Douglas) fighting drugs on two fronts: the Mexican Border and his own home, as he struggles to keep his adolescent daughter on the straight and narrow. This film also deals with family life, and the movie cliché of 'daddy never being around' is handled exceptionally well. Resourceful as she is, it takes her down the darkest and lowest moral alleyways, and this can be compared to 'Erin Brockovich', where another stressed woman used a different kind of soul and fighting spirit to get results. This quiet confidence is also a key part of one of the film's many underlying messages, namely a study in resourcefulness and where it gets us, particularly in Catherine Zeta-Jones' character, a trophy wife of a drug trafficker who is under arrest. Javier Rodriguez's (Benicio Del Toro) character and personality is both strong and incredibly well-acted - the quiet, thick skinned yet razor-sharp mind suiting his environment perfectly, and his acting is often crucial to the moods set in the film, for example in creating the tense, unearthly atmosphere of Mexico. This high standard, which is often difficult to maintain in a movie of its length (2 ½ hours) is maintained, and while at times it borders on arty, it is done thoughtfully, incisively and effectively, the scenes of importance delivered in tense, muted tones. The portrayal of Mexico, as a behind-the-scenes nightmare world of seediness, humidity (you can almost FEEL the heat) and as a place where one murder matters not, is handled excellently, Soderbergh quite cleverly using sepiatones to convey the mood. The direction is superb throughout, speaking in tones, very believable tones, and contrasting atmospheres. It also shows us the struggles of a drug trafficker's society wife (Catherine Zeta-Jones), whose husband is facing a conviction, and also that of a cop accused of corruption. As seen in 'Erin Brockovich', Soderbergh often deals with people under immense pressure, and this is quite evident here, telling the story of a new US drug control officer (Michael Douglas) whose daughter is rapidly becoming a drug addict (Erika Christensen). It certainly has been a good 12 months for director Stephen Soderbergh, hasn't it? Erin Brockovich, probably the most underrated film of last year, eventually got the recognition Soderbergh, Roberts +Co deserved, as did this film, a chilling account of drug trafficking in North and Central America.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |